US Presidential Elections of the 1890s
Publisher: University of California Press
Publication Year: 2016
Presidential campaigns of the twenty-first century were not the first to mobilize an array of new media forms in efforts to gain electoral victory. In Politicking and Emergent Media, distinguished historian Charles Musser looks at four US presidential campaigns during the long 1890s (1888–1900) as Republicans and Democrats deployed a variety of media forms to promote their candidates and platforms.
Publisher: Northwestern University Press
Publication Year: 2016
Nabokov’s translation of Pushkin’s Eugene Onegin (1964) and its accompanying Commentary, along with Ada, or Ardor (1969), his densely allusive late English language novel, have appeared nearly inscrutable to many interpreters of his work. If not outright failures, they are often considered relatively unsuccessful curiosities. In Bozovic’s insightful study, these key texts reveal Nabokov’s ambitions to reimagine a canon of nineteenth- and twentieth-century Western masterpieces with Russian...
Publisher: Academic Studies Press
Publication Year: 2016
From the German Black Forest to the Romanian and Ukrainian shores where it flows into the Black Sea, Europe’s second longest river connects ten countries, while its watershed covers four more. The Danube serves as an artery of a culturally diverse geographic region, frustrating attempts to divide Europe from non-Europe, and facilitating the flow of economic and cultural forms of international exchange. Yet the river has attracted surprisingly little scholarly attention, and what exists too...
Publisher: Columbia University Press
Publication Year: 2015
Francesco Casetti believes new media technologies are producing an exciting new era in cinema aesthetics. Whether we experience film in the theater, on our hand-held devices, in galleries and museums, onboard and in flight, or up in the clouds in the bits we download, cinema continues to alter our habits and excite our imaginations.
Publisher: University of Chicago Press
Publication Year: 2015
When we speak of clouds these days, it is as likely that we mean data clouds or network clouds as cumulus or stratus. In their sharing of the term, both kinds of clouds reveal an essential truth: that the natural world and the technological world are not so distinct.
Publisher: University of California Press
Publication Year: 2014
57 essays by André Bazin on Television, 3D, Cinerama and CinemaScope, collected, translated, annotated, and introduced.
Publisher: University of Wisconsin Press
Publication Year: 2013
Harriet Beecher Stowe’s 1852 antislavery novel Uncle Tom’s Cabin was the nineteenth century’s best-selling novel worldwide; only the Bible outsold it. It was known not only as a book but through stage productions, films, music, and commercial advertising as well. But how was Stowe’s novel—one of the watershed works of world literature—actually received outside of the American context? True Songs of Freedom explores one vital sphere of Stowe’s influence: Russia and the Soviet Union, from the...
Publisher: Wiley-Blackwell
Publication Year: 2012
“A Companion to Rainer Werner Fassbinder is the first of its kind to engage with this important figure. Twenty-eight essays by an international group of scholars consider this controversial director’s contribution to German cinema, German history, gender studies, and auteurship.
Publisher: Harvard University Press
Publication Year: 2011
Moscow, the Fourth Rome breaches the intellectual iron curtain that has circumscribed cultural histories of Stalinist Russia, by broadening the framework to include considerable interaction with Western intellectuals and trends. In so doing it provides a new polemical and political context for understanding canonical works of writers such as Brecht, Benjamin, Lukacs, and Bakhtin.
Publisher: University of California Press
Publication Year: 2010
Japan has done marvelous things with cinema, giving the world the likes of Kurosawa, Mizoguchi, and Ozu. But cinema did not arrive in Japan fully formed at the end of the nineteenth century, nor was it simply adopted into an ages-old culture. Aaron Gerow explores the processes by which film was defined, transformed, and adapted during its first three decades in Japan. He focuses in particular on how one trend in criticism, the Pure Film Movement, changed not only the way films were made, but...
