Francesco Casetti is the author of six books, translated (among other languages) in French, Spanish, and Czech, co-author of two books, editor of more than ten books and special issues of journals, and author of more than sixty essays.
During the ‘70s and ’80 his research has been mostly focused on semiotics of film and television, in particular about genres, intertextuality, and enunciation. His major achievement was an extensive study on the implied spectator in film (Inside the Gaze, Indiana, 1999, or. 1986) and an edited book on television and its imagined audience (Tra me e te, 1988). During the ‘90s he increasingly moved toward an original combination of close analysis and ethnographic research of actual audiences, introducing the notion of “communicative negotiations” (L’ospite fisso, 1995, on media consumption in 32 Italian families, and Communicative Negotiation in Cinema and Television, 2002, on the idea of “communicative pact” and “communicative situation”). More recently he explored the role of cinema in the context of modernity (Eye of the Century. Film, Experience, Modernity, Columbia, 2008, or. 2005) and the reconfiguration of cinema in a post-medium epoch, comparing this shift with the rise of cinema at the beginning of 20 Century (The Lumière Galaxy: Seven Key words for the Cinema to Come, Columbia, 2015). He has also significantly written, and still writes, on film theories (Theories of Cinema. 1945-1995, Texas, 1999, or. 1993). His next project is an wide-ranging analysis of the anxieties that cinema raised in the first decades of the 20th Century, compared with the iconophobic tradition and with the fears triggered by the contemporary media.
Francesco Casetti has taught in Italy at the University of Genova, of Trieste, and the Catholic University of Milan. He has been invited as “Professeur associé” at Université de Paris III - la Sorbonne Nouvelle (1977), and as visiting professor at the University of Iowa (1988, 1991 and 1998) and Harvard (2014). In 2000 he was the recipient of the Chair of Italian Culture for a distinguished scholar at the University of California-Berkeley. He was William P. Evans Fellow at the University of Otago (New Zealand) in 2011, and Fellow at the IKKM, Bauhaus University at Weimar in 2012.
He is member of the Advisory Boards of several film journals and research institutions. He sits in the boards of MaxMuseum, Lugano (Switzerland), and MART museum (Rovereto (Italy). He is a member of the Historical Accademia degli Agiati (Rovereto, Italy), correspondent member of the Historical Accademia delle Scienze (Bologna), and foreigner member of the Historical Accademia di Scienze Morali e Politiche (Naples).
He is General Editor of the series “Spettacolo e comunicazione” for the publishing house Bompiani (Milano).
With Jane Gaines (Columbia University) is the co-founder of the Permanent Seminar on Histories of Film Theories, an international network of film scholars aimed at a systematic exploration of the field of film and media theories (see the website: http://filmtheories.org/).
Photo ©Laila Pozzo